Jeffery Deaver's most fiendish thriller ever . . . The reader is never lied to in Deaver's brilliant shell game, merely misdirected, and the best part of this trick is that despite being in on the game, we continue to make false assumptions . . . as the pace quickens and the story continues to backtrack, solid evidence, established plot points and sturdily built characters all begin to come undone, until what started out as an interactive game becomes a truly unnerving exercise in deception.
Sometimes the purest escapism can only be found in a knuckle-bleaching thriller that messes with your blood pressure. This is a job for Jeffery Deaver
A clever, demanding stand-alone . . . As the ingenious plot folds back on itself, the reader has to reevaluate and reinterpret the constantly shifting "facts" in the case. The finished picture finally emerges with a shock of recognition. This is brilliant craftsmanship in a vastly entertaining package.
Deaver writes crime fiction - thrillers you want to race through - and he's bloody good
In THE OCTOBER LIST, the always entertaining Jeffery Deaver attempts the almost impossible: the back-to-front thriller, beginning with its climax and ending with the planning of the initial crime . . . It's very readable
This will keep you gripped right to the last page
The most creative, skilled and intriguing thriller writer in the world
It's everything we've come to expect from a man at the top of his game . . . a great read
'Devious, diabolical and devilish '
Praise for master thriller writer Deaver
Deaver dispenses expository bits and cliffhangers with a mastery that'll make you smile even more broadly after you realize how thoroughly you've been hoodwinked. Perhaps the cleverest of all Deaver's exceptionally clever thrillers. If you've ever wished you could take the film Memento to the beach, here's your chance.
Even halfway through, it seems possible that Deaver has been defeated by the mind-boggling technical challenge of delivering surprises in back-to-front time. But after the reverse journey reaches the couple's first meeting, his gamble is thoroughly vindicated by a series of twists in which he resembles a conjuror who each time seems to have performed his final trick, but then tops it.