Amitav Ghosh - Flood of Fire - Hodder & Stoughton

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  • Hardback £20.00
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    • ISBN:9780719569005
    • Publication date:28 May 2015
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    • ISBN:9781848545182
    • Publication date:28 May 2015
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Flood of Fire

Ibis Trilogy Book 3

By Amitav Ghosh
Read by Raj Ghatak

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The final book in the bestselling Ibis trilogy from the author of Booker-shortlisted Sea of Poppies.

The thrilling climax to the Ibis trilogy that began with the phenomenal Booker-shortlisted Sea of Poppies.

It is 1839 and tension has been rapidly mounting between China and British India following the crackdown on opium smuggling by Beijing. With no resolution in sight, the colonial government declares war.

One of the vessels requisitioned for the attack, the Hind, travels eastwards from Bengal to China, sailing into the midst of the First Opium War. The turbulent voyage brings together a diverse group of travellers, each with their own agenda to pursue. Among them is Kesri Singh, a sepoy in the East India Company who leads a company of Indian sepoys; Zachary Reid, an impoverished young sailor searching for his lost love, and Shireen Modi, a determined widow en route to China to reclaim her opium-trader husband's wealth and reputation. Flood of Fire follows a varied cast of characters from India to China, through the outbreak of the First Opium War and China's devastating defeat, to Britain's seizure of Hong Kong.

Flood of Fire is a thrillingly realised and richly populated novel, imbued with a wealth of historical detail, suffused with the magic of place and plotted with verve. It is a beautiful novel in its own right, and a compelling conclusion to an epic and sweeping story - it is nothing short of a masterpiece.

(P)2015 John Murray Press

Biographical Notes

Amitav Ghosh was born in Calcutta in 1956. He grew up in Bangladesh, Sri Lanka and India. He studied at the universities of Delhi and Oxford and published the first of eight novels, The Circle of Reason in 1986. He currently divides his time between Calcutta, Goa and Brooklyn. The first novel in the Ibis trilogy, Sea of Poppies, was shortlisted for the Man Booker prize.

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  • ISBN: 9781473614116
  • Publication date: 28 May 2015
  • Page count:
  • Imprint: John Murray
A masterpiece . . . Flood of Fire is not just a work of literary imagination but also an exercise in deep and original historical reflection — Chris Clark, author of Sleepwalkers
For the past weeks, [Amitav Ghosh] has been holed up in his Goa home, putting the finishing touches to Flood of Fire, the third part of his epic Ibis trilogy. The project has taken a decade. The three novels, starting with Sea of Poppies . . . have cemented his reputation — Financial Times
Totally absorbing — Literary Review
As ever for Mr Ghosh, language is a great tumasher, and it is not surprising that he is on the shortlist for the biennial Man Booker International Prize . . . He swims with relish in a lexicon he has made his own, a rich brew of English, Bangla, Hindi, Parsi, Malay, Cantonese and pidgin at a time when free trade and imperialism were recombining Asian cultures and tongues . . . Mr Ghosh's genius is to paint this world from its teeming heart, rather than from the perspective of metropolitan centres of power in London, or, for that matter, Peking — The Economist
It is a testimony to Ghosh's great skills that he can both teach us history and create believable fictional characters . . . What makes Ghosh's characters come alive all the more is the use of language . . . Ghosh, occasionally, translates, but often does not, yet pulls off this presentation of the medley of tongues his characters use with great aplomb — Mihir Bose, Independent
The final instalment of an extraordinary trilogy . . . Ghosh's story roars along, constantly flipping between high seriousness and low humour. It is simultaneously wrong-footing and delightful, riveting and diverting . . . His expansive trilogy has, in fact, advanced his story by only a few years; but the ground it has covered is almost immeasurable — Guardian
Ghosh's scrupulous depiction of army life is just one part of this tour de force of historical description. Together, the novels are a weighty and precious chronicle of those times, a compendium of lost habits, languages and attitudes . . . Flood of Fire has all the romance, subterfuge and ingenious plotting to keep Ghosh's audience firmly lagowed. But it is the integrity of his historical vision that will ensure his books outlast other literary dumbpokes — FT Weekend
The best bits of the trilogy, however, do not merely satirize the greed and hypocrisy of the foreign traders; but allow crosscurrents of sympathy . . . full of unforgettable vignettes — The Spectator
A huge, sprawling, rumbustious novel . . . rich and engrossing . . . a splendid adventure story, full of rich and varied characters and romantic entanglements . . . In the last chapters Amitav Ghosh pulls the strings of his enthralling trilogy together. It's a remarkable achievement: an adventure novel full of feeling, but one which also invites - even compels - you to think about the assumptions which men act upon — Scotsman
The star of the proceedings is the historical detail that really brings it all alive. Anyone who knows me knows my love of historical factoids and Amitav provides enough for us to luxuriate in them. The difference between the treatment of British and Indian soldiers, the colonial structure, the importance of China and the opium fields, not to mention the rituals surrounding taking opium - it's all here with much more besides, simultaneously entertaining and educating. I will definitely be going back to the beginning of the trilogy and look forward to catching up — Bookbag
Amply justifying the hype and expectation, this is a thrillingly realised and richly populated novel, imbued with a wealth of historical detail, suffused with the magic of place and plotted with great verve: Flood of Fire is a beautiful novel in its own right, and a compelling conclusion to an epic and sweeping story, one of the greatest literary works of our time. For Amitav Ghosh, the glittering literary prizes beckon — Nudge Book
Graphic and gripping — New Statesman
A terrific read. I wish Amitav Ghosh could live forever, like Ganesh, the Hindu patron god of writers and complete what he once planned. Flood of Fire, alas, will have to do — The Times
If you fancy a rip-roaring story with history, an erudite critique of colonialism, funny and full of contemporary parallels, you could try Amitav Ghosh's third in his Ibis trilogy, Flood of Fire — i
Flood of Fire sweeps Amitav Ghosh majestically to the pinnacle of historical fiction writers and fittingly completes his Ibis trilogy . . . Ghosh has long set a standard for the kind of fine historical fiction writing that paints perfect pictures of what life was like for ordinary people as the world changed around them at breakneck pace. What sets him apart from other writers in this genre is his knowledge of the subject and his detailed descriptions and minute detail — Dundee Courier
Unexpectedly comic — Sunday Times
Ghosh's ebullient fluency in the colorful argot of the contentious worlds he brings forth distinguishes this passionately researched series as much as his wily and zealous exposure of entrenched discrimination pertaining to race, religion, gender, caste, and class. Once again Ghosh proves himself to be a virtuoso scene-setter and action writer . . . This feverishly detailed, vividly panoramic, tumultuous, funny, and heartbreaking tale offers a vigorous conclusion to Ghosh's astutely complex and profoundly resonant geopolitical saga — Booklist
A rip roaring story rich with history, an erudite critique of colonialism, funny and full of contemporary parallels — Independent
Sweeps Amitav Ghosh majestically to the pinnacle of historical fiction writers — Oxford Times
Exuberant — Guardian
This doorstopper of a novel, thick as curry with Anglo-Indian patois and with a bundle of rattlingly good narratives, makes one desperate that he does continue — The Times, Books of the Year
A rollicking wordfest that sprawls across land, sea, social class and ethnicities, sweeping us along in its narrative drive — Guardian
By an ingenious hotchpotch of different languages and registers, Ghosh's story roars along, constantly flipping between high seriousness and low humour. It is simultaneously wrong-footing and delightful — Guardian
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'As hypnotic as an opium dream and pretty unputdownable' Daily MailIn September 1838 a storm blows up on the Indian Ocean and the Ibis, a ship carrying a consignment of convicts and indentured laborers from Calcutta to Mauritius, is caught up in the whirlwind. When the seas settle, five men have disappeared - two lascars, two convicts and one of the passengers. Did the same storm upend the fortunes of those aboard the Anahita, an opium carrier heading towards Canton? And what fate befell those aboard the Redruth, a sturdy two-masted brig heading East out of Cornwall? Was it the storm that altered their course or were the destinies of these passengers at the mercy of even more powerful forces?On the grand scale of an historical epic, River of Smoke follows its storm-tossed characters to the crowded harbors of China. There, despite efforts of the emperor to stop them, ships from Europe and India exchange their cargoes of opium for boxes of tea, silk, porcelain and silver. Among them are Bahram Modi, a wealthy Parsi opium merchant out of Bombay, his estranged half-Chinese son Ah Fatt, the orphaned Paulette and a motley collection of others whose pursuit of romance, riches and a legendary rare flower have thrown together. All struggle to cope with their losses - and for some, unimaginable freedoms - in the alleys and crowded waterways of 19th century Canton. As transporting and mesmerizing as an opiate induced dream, River of Smoke will soon be heralded as a masterpiece of twenty-first century literature.

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Charles Frazier grew up in the mountains of North Carolina. COLD MOUNTAIN, his highly acclaimed first novel, was an international bestseller, selling over one million copies and winning the National Book Award in 1997. It was the inspiration for the Oscar-winning film directed by Anthony Minghella and starring Nicole Kidman, Jude Law, and Renee Zellweger.A second novel, THIRTEEN MOONS, was published by Sceptre in 2007 and NIGHTWOODS, Charles' latest novel set in a lakeside town in 1960s North Carolina, was published in September 2011. To find out more, visit Charles' Facebook page www.facebook.com/CharlesFrazierAuthor or follow him on Twitter at twitter.com/Charles_Frazier.

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Dorothy L Sayers was born in Oxford in 1893, and was both a classical scholar and a graduate in modern languages. As well as her popular Lord Peter Wimsey series, she wrote several religious plays, but considered her translations of Dante's Divina Commedia to be her best work. She died in 1957.www.sayers.org.uk

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Edward Kelsey Moore lives in Chicago with his partner of many years. Having trained with some of the world's finest musicians, he has travelled widely and recorded extensively during his lengthy career as a professional cellist. Edward's literary work often reflects both his life as a musician and his upbringing as the backsliding son of a Baptist preacher. His short fiction has appeared in several literary magazines and on Public Radio. Like Dora in THE SUPREMES AT EARL'S ALL-YOU-CAN-EAT, Edward is also an avid gardener; like Odette, his horticultural projects are not always successful. THE SUPREMES AT EARL'S ALL-YOU-CAN-EAT is Edward Kelsey Moore's first novel. Find out more on Edward's website at www.edwardkelseymoore.com or Facebook page www.facebook.com/EdwardKelseyMooreauthor and follow him on Twitter @edkmoore.

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Elizabeth de Beauchamp Goudge was born on April 24th 1900 in Wells, Somerset, where her father was Principal of Wells Theological College. Although she had privately intended writing as a career, her parents insisted she taught handicrafts in Oxford. She began writing in her spare time and her first novel ISLAND MAGIC, set in Guernsey, was a great success here and in America. GREEN DOLPHIN COUNTRY (1944) projected her to fame, netting a Literary Guild Award and a special prize of £30,000 from Louis B. Mayer of MGM before being filmed.In her later years Elizabeth Goudge settled in Henley-on-Thames. She died on April 1st, 1984.

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