'Woodrell writes in an almost biblical idiom, which makes the brutality of his stories shocking... These are timeless tales of humans capable of compassion but also monumental violence.'
Woodrell writes a striking prose that lopes from clause to clause like William Faulkner's...he recalls writers such as Cormac McCarthy, Flannery O'Connor and the Faulkner of Sanctuary in his ability to transform crime into literature.
His language is complex, poetic, strange and beautiful, conjuring up the misty fields and woods of the Ozarks, and the fiercely independent people who live there.
In a tight navigation of narrative voice, Woodrell manages to turn candid detachment into a form of rough poetic truth, even though the lives of his characters remain far removed from the world of literary sentiment.
wonderful, savage narratives...remarkable even by Woodrell's soaring standards
Woodrell writes about violence and dark deeds better than almost anyone in America today, in compact, musical prose that doesn't dwell on visceral detail. An unerring craftsman...Every story is loaded with gems...Most of the stories deal with the darkest recesses of the human heart, and once you start reading them you can't stop.
Each story is a stylized dark allegory...The language is sparse yet majestic, deftly describing mountains, canyons and creek beds.
'Woodrell is a marvellous writer'
He has moved beyond the noir of his earlier work into something that encompasses a greater spectrum of understanding. He has cemented his role as one of America's greatest writers...THE OUTLAW ALBUM is an idiosyncratic, lyric, stunning collection of stories. It is one of the most important collections of short fiction produced in this country in over fifty years.
tales of horror and desperation that'll leave you reeling. In a good way.
'gripping...Woodrell's folk are as separate in their rituals and customs as any of Tolkein's mythical creations...Woodrell whittles his stories into shape with a serrated knife, and while the language of his characters is a constant surprise with those oblique turns-of-phrase...the curious sideways progression of his plots is what I find most enrapturing.'