Related to: 'Helena Coggan'

Hodder & Stoughton

The Orphanage of Gods

Helena Coggan
Authors:
Helena Coggan
Hodder & Stoughton

Generation Next: The Takeover

Oli White
Authors:
Oli White
Two Roads

The Butcher's Hook

Janet Ellis
Authors:
Janet Ellis

***LONGLISTED FOR THE DESMOND ELLIOTT PRIZE 2016***'KNOWS HOW TO KEEP HER AUDIENCE HOOKED' The Times'A MASTERFUL STORYTELLER' Clare Mackintosh'DARK, WEIRD AND GLORIOUSLY FEMINIST' ElleGeorgian London, in the summer of 1763.At nineteen, Anne Jaccob, the elder daughter of well-to-do parents, meets Fub the butcher's apprentice and is awakened to the possibilities of joy and passion. Anne lives a sheltered life: her home is a miserable place and her parents have already chosen a more suitable husband for her than Fub. But Anne is an unusual young woman and is determined to pursue her own happiness in her own way......even if that means getting a little blood on her hands.'A SHARP EYE AND A SHARPER WIT' Guardian'A SPIRITED, DARK DEBUT' Woman & Home'STRANGE, DARK AND UTTERLY MESMERIC' Hannah KentPre-order Janet Ellis's new novel, How It Was, now!

Hodder & Stoughton

Replica

Lauren Oliver
Authors:
Lauren Oliver

From the New York Times bestselling author of BEFORE I FALL and the Delirium Trilogy, come two astonishing stories in one epic, masterful novel that explores the issues of individuality, identity, and humanity. Lyra's story begins in the Haven Institute, a building tucked away on a private island off the coast of Florida that from a distance looks serene and even beautiful. But up close the locked doors, military guards, and biohazard suits tell a different story. In truth, Haven is a clandestine research facility where thousands of replicas, or human models, are born, raised, and observed. When a surprise attack is launched on Haven, two of its young experimental subjects - Lyra, aka number 24, and the boy known only as 72 - manage to escape.Gemma has been in and out of hospitals for as long as she can remember. A lonely teen, her life is circumscribed by home, school, and her best friend, April. But after she is nearly abducted by a stranger claiming to know her, Gemma starts to investigate her family's past and discovers her father's mysterious connection to the secretive Haven Institute. Hungry for answers, she travels to Florida, only to stumble upon two replicas and a completely new set of questions.While the stories of Lyra and Gemma mirror each other, each contains breathtaking revelations critically important to the other story. Using a downloadable chapter guide, listeners can decide how they would like to listen to the audiobook, as with the print version. They can listen to the story of Gemma or Lyra straight through first, followed by the other girl's story, or they can move between chapters in Lyra's and Gemma's sections. No matter how it is listened to, REPLICA is an ambitious, thought-provoking masterwork.(P)2016 HarperCollins Publishers

Hodder & Stoughton

Generation Next

Oli White
Authors:
Oli White

The stunning debut novel from YouTube sensation Oli White. Includes an exclusive audiobook introduction read by Oli White.Things haven't been easy for Jack recently - life as a teenager has its ups and downs. But when he meets a new group of friends, who are every bit as geek as they are chic, his luck seems to be changing. Each of the group is talented and when they pool together to create Generation Next, an incredible new kind of social media platform, it's clear that they're on to something special. What if your Instagram account grew by hundreds of thousands of followers overnight, and big companies were fighting each other to offer you photoshoots? When GenNext suddenly goes viral, Jack and his friends are thrust into a crazy world of fame which is as terrifying as it is awesome. Because someone out there is determined to trip Jack up at every step. If he doesn't stop them, soon everyone he cares about - his friends, his family, and the girl he's falling for - will be in danger...(P)2016 Hodder & Stoughton

Hodder & Stoughton

The Reaction

Helena Coggan
Authors:
Helena Coggan
Hodder & Stoughton

The Catalyst

Helena Coggan
Authors:
Helena Coggan

'The next JK Rowling' (Today Programme, USA)'An astounding achievement. I can't wait for the second book! *****' - Reader Review'A great read for those who enjoyed The Hunger Games and Divergent. *****' - Reader Review____________________Rose Elmsworth has a secret.For eighteen years, the world has been divided into the magically Gifted and the non-magical Ashkind, but Rose's identity is far more dangerous. At fifteen, she has earned herself a place alongside her father in the Department, a brutal law-enforcement organisation run by the Gifted to control the Ashkind. But now an old enemy is threatening to start a catastrophic war, and Rose faces a challenging test of her loyalties.How much does she really know about her father's past? How far is the Department willing to go to keep the peace? And, if the time comes, will Rose choose to protect her secret, or the people she loves?____________________Further praise for Helena Coggan and The Catalyst'The Catalyst is a complicated, rich world of magic and danger . . . Both fantastical and startlingly relevant and contemporary, it's tense, exciting, engaging and has at its heart a central character whose incredibly personal story becomes caught up in huge battles and some even bigger ideas.' - Claire North, author of The First Fifteen Lives of Harry August'A pulsing, labyrinthine, emotionally visceral plot' - Metro'A phenomenal achievement . . . assured, frightening, action-packed' - Observer

Hodder & Stoughton

Pandemonium (Delirium Trilogy 2)

Lauren Oliver
Authors:
Lauren Oliver

Love, the deadliest of all deadly things.It kills you when you have it.And when you don't.I'm pushing aside the memory of my nightmare, pushing aside thoughts of Alex, pushing aside thoughts of Hana and my old school, push, push, push, like Raven taught me to do.The old life is dead.But the old Lena is dead too.I buried her.I left her beyond a fence,behind a wall of smoke and flame.Pandemonium is a poignant, explosive, recklessly romantic and utterly heartbreaking novel. Like Delirium, the first in the compelling trilogy, it will take you to the very edge. That's all you need to know. We'll let Lena do the rest of the talking . . .

Nicholas Brealey Publishing

The Ascent of Media

Roger Parry
Authors:
Roger Parry

Our society is shaped by our media - now more than at any time in history. They play a crucial role in culture, commerce and politics alike. The Ascent of Media is the first book to look at the new digital era in the context of all that has gone before, and to build on the past to describe the media landscape of the future. Roger Parry takes us on a journey from the earliest written story - the Legend of Gilgamesh etched on clay tablets - to the Gutenberg press, and from the theatres of Athens to satellite TV and the coming semantic web. Tracing 3000 years of history, he shows how today's media have been shaped by the interaction of politics, economics and technology. He explains why Britain has the public service BBC whilst America developed the private broadcasting networks ABC, CBS, FOX and NBC. He profiles the people and organizations that have created the media world and reveals the often surprising stories behind such ubiquitous items as the keyboard, telephone dial and tabloid. The book shows that issues of today such as a sensationalist press, piracy, monopoly, walled gardens and balancing advertising and subscription revenue have all happened before. Each upheaval in the media world - the development of moveable type printing in the 1450s; the telegraph network in the 1850s; radio broadcasting in the 1920s; and digital distribution in the 2000s - created huge fortunes, challenged authority and raised fundamental issues of copyright, privacy and censorship. Traditional media then adapt, evolve and go on to thrive in the face of competition. The convergence of the internet, mobile phones and tablet computers is now transforming our culture. Established media giants are struggling, while new firms like Google and Apple are thriving. The superabundance of media, with increasing amounts generated by consumers themselves, means that media professionals are becoming curators as much as creators of content. The Ascent of Media traces the story of media from clay tablets to tabloids to the tablet computer. It relates how we got where we are and, based on the experience of history, where we are likely to go next.

Hodder & Stoughton

Tiger's Quest

Colleen Houck
Authors:
Colleen Houck

Back in Oregon, Kelsey tries to pick up the pieces of her life and push aside her feelings for Ren. But danger lurks around the corner, forcing her to return to India where she embarks on a second quest-this time with Ren's dark, bad-boy brother Kishan, who has also fallen prey to the Tiger's Curse. Fraught with danger, spellbinding dreams, and choices of the heart, TIGER'S QUEST brings the trio one step closer to breaking the spell that binds them.

Chapter One

A MOST WANTED MAN, by John le Carré

Read the first chapter of John le Carré's A MOST WANTED MAN.

04 Oct
Henley-on-Thames

Helena Coggan at the Henley Literary Festival

11am

Helena Coggan at the Henley Literary Festival

04 Oct
Henley-on-Thames

Helena Coggan at the Henley Literary Festival

11am
Chapter One

THE YELLOW BIRDS by Kevin Powers

Read the first chapter of Kevin Powers' THE YELLOW BIRDS - described by the Guardian as 'a must-read book'.

Chapter One: Suicide Corner

SCARP by Nick Papadimitriou

Read the first chapter of Nick Papadimitriou's SCARP.

11 Oct
Cheltenham

Helena Coggan at Cheltenham Literary Festival

2:30pm

John Goldsmith on The Saint

In 1953, the journalist and author Richard Usborne published a seminal book called Clubland Heroes. It was an affectionate, nostalgia-tinged analysis and celebration of the fictional gentleman-adventurers whose exploits had thrilled him when he was a boy, the protagonists of three immensely popular novelists of the inter-war period: John Buchan’s Richard Hannay, ‘Sapper’s Bulldog Drummond and Dornford Yates’s Jonathan Mansel. These characters had a great deal in common. They all enjoyed substantial private means and were rich enough not to let anything as vulgar as earning a living interfere with their adventuring. They were proudly upper-class and, except in Hannay’s case, Public School and Oxbridge. They had all had damned good wars. They drove Rolls-Royces. They were viscerally racist and anti-Semitic. They believed in rough justice, an eye for a tooth, in stepping in where plodding policemen feared to tread, or were unable to tread because of inferior birth and breeding. They regularly bumped off the villains on the grounds – if they thought about it at all – that they were simply saving the hangman the bother. Crucially, they were all members of London Clubs, those exclusive enclaves in the St. James’s area, where the elite lunched and dined in splendour, wreathed in cigar smoke, waited on by silent, obsequious servants. But there was another writer, competing in the same market, equally successful, equally adored by generations of school-boys. His name was Leslie Charteris and his hero was Simon Templar, the Saint. Usborne does not ignore Charteris and the Saint entirely. He does something rather more disagreeable: he dismisses them both in a few disparaging lines. The Saint, he feels, is a lesser character than Hannay, Drummond and Mansel; Charteris is a lesser writer than Buchan, ‘Sapper’ and Yates. In the strict technical sense, Usborne is right not to include the Saint in his pantheon because Simon Templar would not have been seen dead in one of those stuffy St. James’s clubs. Indeed, throughout the Charteris oeuvre the Saint is devastatingly satirical about the denizens of such places, with their snobbery, prejudices, prudery and superannuated political opinions. (Hannay, Drummond and Mansel were all firmly of the Conservative Right.) But in writing off the Saint as a character and Charteris as a prose stylist, Usborne was wrong. I first encountered the Saint, as I did the other three, in the 1950s when I was banged up in a prep school in Hertfordshire. Even for that dismal era, the school was a time warp, a little world of its own that would still have been comfortably familiar to Hannay, Drummond and Mansel but which would have excited the Saint’s mockery – and pity for its young inmates. We were taught to worship Games and (a grimly Protestant) God. In the Cadet Corps we were trained to bayonet the Hun – as per the First World War – rather than the Boche of the Second World War. For competitive events – almost all sporting – the school was divided into sets named after military heroes: Roberts, Kitchener, Haig and Beatty. Our physical horizons were bounded by the red-brick turrets and walls of the school buildings, reminiscent of a Victorian prison, and fenced, gated playing fields and parkland. Beyond lay forbidden territory, strictly out of bounds, inhabited mainly by dangerous ruffians called oiks. Our intellectual horizons were limited to a curriculum designed for a sole purpose: to get one into a decent public school. The food was abominable, the school rules numberless and enforced by the frequent swishing of cane and slipper. Into this narrow, isolated realm stepped the Saint. He was dashing, debonair, didn’t give a damn about rules and regulations, lived by his own code, went where he wanted to go, did what he wanted to do, leaving policeman and criminal alike gasping in his wake. He didn’t drive a boring, boxy Rolls-Royce; he drove a sleek, superfast Hirondel. He was a citizen of the world, perfectly at home in any great city where, of course, he would know which was the best hotel and the finest restaurant, and where there was always an old friend to lend a hand in his latest endeavour. He was rich, yes, but the money didn’t come from a country estate or a share portfolio: he earned it by creaming off his usual ten per cent of the booty or scooping a reward. He was a free spirit, openminded, without a racist or anti-Semitic bone in his immaculately clothed body. His adventures sprang naturally out of his globe-trotting life, his insatiable curiosity about everything and everybody, his infallible nose for a mystery, his quixotic sense of justice. He was witty. He was clever. He had style, panache. He killed, certainly, but mostly in self-defence, and his preferred modus operandi was to step deftly aside and let dog eat dog. He never displayed the sadistic relish of Bulldog Drummond, the patriotic fervour of Richard Hannay, or the Old Testament righteousness of Jonathan Mansel. Most thrilling of all, perhaps, he lived openly with a woman, Patricia Holm, who was not his wife and whose charms could be only furtively and feverishly imagined. Although I loved reading about Hannay, Drummond and Mansel, they were, in a sense, only Senior Prefects writ large. They conformed to the rules – indeed, they strictly imposed them on others. They would triumph on the cricket field, the football pitch and in the boxing ring and eventually rise to be Head Boy. The Saint, by contrast, might perhaps win the Poetry Prize but would undoubtedly be expelled. He was completely different. He was a liberator. He pointed a finger, or rather two fingers, with a cigarette held nonchalantly between them, towards a wider, more sophisticated world. He showed that silly or irksome rules could and should be circumvented, pomposity laughed at, an individual path pursued. So much for the character. What of the literary skills of his creator? It was only years later, when I had the job of adapting some of the stories for the screen, that I came fully to appreciate what a superb writer Leslie Charteris was. The first task of the adaptor is to analyse the plot. I quickly discovered that in terms of the overall impact of a given story, the plot plays a relatively minor role. Certainly, the plots are well, often brilliantly, constructed, with all the requisite twists and turns and surprises and – most important – a rigorous logic. But the real fascination lies elsewhere: in description, in the development of a particular situation or scene, above all, in dialogue. The prose is spare and sinewy where the pace of the narrative demands it, but where there is space for a pause, Charteris fills it with paragraph after paragraph, sometimes page after page, of highly entertaining, perfectly honed writing, with a lightness of touch and a refined humour worthy of P.G. Wodehouse. (‘By the tum-tum of Tutankhaman!’ the Saint exclaims to Mr Teal in the first story in the present collection. Bertie Wooster himself couldn’t have put it better.) The dyspeptic critic might dismiss all this as mere padding: Charteris either lacked the powers of invention or was simply too idle to construct an elaborate plot and made up for it by shoving in a lot of extraneous guff. This would be to miss the point completely. The minimisation of plot and maximisation of other elements is the warp and woof of the Charteris style. What other thriller writer would think of (or dare to proceed with) spicing up a murder mystery with satirical verse? And the verse itself is worthy of Ogden Nash: Trained from an early age to rule (At that immortal Public School Whose playing fields have helped to lose Innumerable Waterloos), His brains, his wit, his chin, were all Infinitesimal . . . So how does Charteris, the prose stylist, measure up to the writers Usborne set above him? Take ‘Sapper’, the nom-deplume of an offi cer-turned-prison governor called H.C. McNeile. His literary skills can most charitably be described as workmanlike. There is none of the verve, vivacity and pure relish for words that you find in Charteris. And the character of Drummond himself verges on the Fascistic. John Buchan is a much better writer, a fine writer in fact, but his plots rely unnervingly on coincidence and his attempts to reproduce the slang of the criminal classes, or even worse of Americans, are embarrassing. Dornford Yates is in a category of his own. He developed a unique style, full of archaisms and purple passages that some admire (I am one of them) and others find ludicrous. His plotting is superb, perhaps because his method was never to know himself, at the end of a day’s writing, what was going to happen next. But he is most definitely an acquired taste. By any standard, Leslie Charteris is worthy to stand beside Buchan and Yates – and well above ‘Sapper’. And in The Saint and Mr Teal he is on top form. He was twenty-six when he wrote it and it has all the freshness and vigour of an early work. The three stories are exciting, surprising, funny – and great, great fun. The character of the Saint is fully formed, with all the swashbuckling sparkle that kept him alive through the following decades and saw him emerge, in the form of the incomparable Roger Moore, as a globally recognised figure. In the late 1970s I found myself one day in a remote fishing village on the coast of Brazil. When I told the locals that I was a writer they naturally asked me what I had written. I mentioned various novels and television shows, all of which were met with blank stares. But when I mentioned the Saint faces lit up, recognition was instant. It was smiles and ecstatic cries of ‘El Santo! El Santo!’ all round. The Saint had travelled a long, long way. He is still travelling. - John Goldsmith

Chapter One

BROKEN HARBOUR, by Tana French

Read the first chapter of Tana French's newest novel, BROKEN HARBOUR.

12 Sep
Chiswick

Helena Coggan in the Tabard Theatre Chiswick Book Festival

2:45pm

Helena Coggan in the Tabard Theatre Chiswick Book Festival

12 Sep
Chiswick

Helena Coggan in the Tabard Theatre Chiswick Book Festival

2:45pm