Elena Varvello - Can you hear me? - Hodder & Stoughton

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    • ISBN:9781473654891
    • Publication date:31 May 2018
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    • ISBN:9781473654907
    • Publication date:13 Jul 2017

Can you hear me?

By Elena Varvello
Read by Matt Addis

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A riveting coming-of-age story, told with the breathless precision of a Hitchcock noir by a masterful new voice in Italian literature.

'A beautiful, stark, poignant account of fear, love and loss' Emma Flint, author of Little Deaths

'A novel that you long to savour because there won't be another one this rich, this compelling, this extraordinarily satisfying for a long, long time' Bret Anthony Johnston, author of Remember Me Like This and a Sunday Times EFG Short Story Award finalist 2017

'Readers will devour this novel in one sitting as I did, then chew over it long after the book is done' Karen Dionne, author of The Marsh King's Daughter

1978.
Ponte, a small community in Northern Italy: peaceful woods, discarded rubbish, a closed-down factory. An unbearably hot summer like many others, wilted flowers and trips to the waterfalls.

Elia Furenti is sixteen, living in a secluded house with his parents, a life so unremarkable that even its moderate unhappiness has been accepted as normal.
That is until the day the beautiful, damaged Anna returns to Ponte and firmly propels Elia to the edge of adulthood.

But then everything starts to unravel.

Elia's father, Ettore, is let go from his job and loses himself in the darkest corners of his mind.
A young boy is murdered, shaking the small community to its core.
And a girl climbs into a van and vanishes in the deep, dark woods...

Translated from Italian by Alex Valente.

Biographical Notes

ELENA VARVELLO was born in Turin, Italy, in 1971. She has published two collections of poetry, Perseveranza è salutare and Atlanti, a collection of short stories, L'economia delle cose (nominated for the Premio Strega, the Italian equivalent of the Man Booker Prize), and two novels, La luce perfetta del giorno and La vita felice, now translated into English as Can you hear me? (English PEN Award 2017).
She teaches creative writing at the Scuola Holden in Turin.
elenavarvello.com

ALEX VALENTE is a European half-Yorkshire, half-Tuscan freelance translator.
He has researched comics, poetry, and their translation, co-edits The Norwich Radical, regularly translates for Italian literary agencies, and does voluntary work for non-profit organisations.
He's on Twitter as @DrFumetts.

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  • ISBN: 9781473665644
  • Publication date: 13 Jul 2017
  • Page count:
  • Imprint: Two Roads
Can You Hear Me? poignantly touches on problems of friendships, families and coming of age in a small community in northern Italy. There is much beauty and sadness in this slim novel. — Marcel Berlins, The Times
'I love books I can read all in one sitting (maybe with a break to make tea) and can you hear me? by Elena Varvello was one of these. A thriller, a mystery, a coming-of-age story that utterly gripped me from beginning to end - and the translation from the original Italian never for a second gets in the way' — Victoria Hislop, Good Housekeeping
Move over Ferrante, there's a new Elena in town... Can You Hear Me? is the first of Elena Varvello's novels to be translated into English - elegantly so by Alex Valente, no easy task since the story episodically flits between two narrative strands, and splices memories of the recent past in with sections set in the present. It's as if, as one character puts it, "time has all bunched up like a bedsheet"... Varvello maintains a sense of tension and dread throughout, all cleverly focused on Elia's slow comprehension of the situation he finds himself in. The novel is something akin to noir, but the emphasis in on the psychological... It made me think of the opening of Ian McEwan's The Cement Garden... Like all the best coming-of-age stories, at its heart Can You Hear Me? is about understanding the limits of one's own knowledge. — Lucy Scholes, Independent
The novel is carried by both the brilliance of its setting and by a scattering of emotional truths... Here, Varvello's spare poetry reveals itself in masterly atmosphere and sense of place... It is refreshing to read a novel of crime and darkness that eschews straightforward domestic noir, and Varvello was brave to write about the trauma that haunts her. — Guardian

Varvello is emerging as one of the strongest young voices in the Italian literary world. Can You Hear Me? is a sparse, stark tale, at once a murder mystery and a coming-of-age story.

Can You Hear Me? is a bleak and vivid book, about the way that life can throw up events that are forever impossible to come to terms with, so that subsequent life is a joyless affair.

— Caroline Moorehead, TLS
Haunting... Set in a small Italian town in the late 1970s, Can You Hear Me? reads like a collaboration between Daphne du Maurier and Megan Abbott, a superb psychological study marinated in a teenage boy's simmering hormones. A poet and award-winning short-story writer in her native Italy, Varvello writes tautly lyrical prose (beautifully translated by Alex Valente), delivering an absorbing tale that draws the reader into a nightmarish fever dream of isolation and paranoia given a chilling sense of inevitability by Varvello's matter-of-fact tone and Elia's deadpan narration. — Declan Burke, Irish Times
A claustrophobic read... Marrying the unsettling feelings of a coming-of-age tale with a panic-inducing abduction story, Varvello explores the psychological impacts of fear, love and mental illness in pared-back prose. — Eithne Farry, Daily Express
A spare, underplayed and suspenseful story about a terrible crime eating away at a family. — Alastair Mabbott, Sunday Herald
A beautiful, stark, poignant account of fear, love and loss — Emma Flint, author of LITTLE DEATHS
I loved Varvello's pared-back writing style, and how she manages to say so much in so few words. An intense read, wonderfully anxiety-inducing, where everything is bubbling uneasily just below the surface. — Claire Fuller, author of OUR ENDLESS NUMBERED DAYS
Elena Varvello's Can you hear me? is riveting and luminous. It's a gorgeous heart-rending novel that you want to finish in one sitting - and few readers will be able to resist the exquisite gravity of such temptation - but it's also a novel that you long to savour, to make last, to draw out because there won't be another one this rich, this compelling, this extraordinarily satisfying for a long, long time. — Bret Anthony Johnston, internationally bestselling author of REMEMBER ME LIKE THIS and Sunday Times EFG Short Story Award winner 2017
So extraordinary that I'm almost speechless... It's such a mesmerising novel, at times a very chilling one, and it has both broken my heart and mended it at the same time. The writing is so tense, the atmosphere so heavy and the book's structure is so clever, and technically astounding. What a feat! And what I applaud so very much is its honest ending, its sense of completion(at least for the reader), and its universal message of hope. I feel so moved by this novel and in ways that I know will take me some time yet to uncover. — Matt Bates, WHSmith Travel Fiction Buyer
Few writers have gripped me, left me breathless and sweaty palmed, quite like Varvello. Expanding the possibilities of the thriller, Can You Hear Me? probes that period of unease, common to growing up, when we realise that our parents are fallible. It's a novel of teenage awakening, of pauses and silences, pregnant with secrets. This book has given me sleepless nights, broken my heart and worked its way deep into my psyche. I am thrilled to finally have the opportunity to place such an extraordinary book in readers' hands. — Gary Perry, Foyles Staff Pick
Can You Hear Me? is not a faint-hearted book. Elena Varvello plays with some big themes here; fear, love and loss are prominent and sketched in heart aching relief. The story is a tense exploration of the mysteries of the human heart, the weight of paranoia and the often destructive nature of love and blind devotion... Varvello's writing is so redolent and vivid that the reader can almost feel the sweltering heat of summer in Italy, the intense desire between Elia and Anna and the individual anguish and grief of all characters here. This is not a light-hearted summer read but rather an intensely brilliant noir, tightly paced but with the wistful quality of a midsummer daydream. The characters are vibrant, relatable and powerfully realised and the story moves at breath taking pace. This is a beautiful coming of age story, a meditation on the nature of adulthood and a sizzling reminder of the turmoil of adolescence. Varvello has expertly captured the exquisite torture of first time lust and the agony of betrayal. The intensely personal nature of the story becomes clear when Varvello discloses that she wrote the book as a way of exorcising her own difficult relationship with her father, himself a sufferer of mental illness, in an act of letting go of her own past. This adds another level of poignant tenderness to this already heart wrenching tale and it adds another layer of humanity to Varvello's writing... Alex Valente has adoringly translated Varvello's work and the partnership between them is a wonderful example of how loving translation can bring powerful writing to readers across the world. If you like your fiction dark and deep, your characters strikingly real and are prepared to have your heart lovingly shattered then this is the book for you. — Bookbag
I can't remember reading a thriller that is as eerily intense as Elena Varvello's Can You Hear Me?... While this novel is obviously far removed from my own circumstances, the style and subject of Varvello's story invoked a deep sense of nostalgia in me. Elia is a somewhat awkward young man who makes a loose friendship with a boy named Stefano. Their friendship develops organically. They don't necessarily have a huge amount of shared interests but are pulled together more because of circumstances when there is no one else to spend time with. A lot of childhood friendships seem to be formed in this way and the only other book I can recall that got this so well is Tim Winton's novel Breath. During their summer together they spend time swimming at a remote water hole. I have strong memories of doing something similar and the representation of this uneven friendship felt very real... While Elia tries to deal with these normal issues surrounding any young man's development, he also grows increasingly wary of his father who believes that he's been cheated out of a job and becomes increasingly absent from the home. Marta seems to bury her head in the sand about her husband Ettore's behaviour and withdraw into herself. So this boy is mostly left to struggle with all of this on his own. Because of this, the story develops an increasing level of emotional poignancy as it goes on at the same time as it grows more unsettlingly tense. Varvello's captivating writing style drew me in and had me gripped in that way that made me really resent having to stop reading it at the end of my commutes or lunch breaks. It's a powerful book that reminds me of some of Joyce Carol Oates' novels in the way that Varvello so effectively builds suspense amidst a plot involving friendship and embittered economical hardships. And (coming from me) you know that means I think very highly of it! — Lonesome Reader
Can you hear me? is no ordinary psychological thriller - to pigeonhole it into that sub-genre would be to ignore large parts of this atmospheric and intense novel. Alongside the central mystery is a coming of age story and the two themes mesh together seamlessly... We've seen how Varvello generates suspense; she is also very skilful in making us care about all the characters: from Marta's tender, careworn love and inability to recognise Ettore's illness, to broken but unbowed Anna; from the adolescent bluster of Stefano to the growing confidence of Elia as he takes charge of his life. All are detailed alongside the tragedy of Ettore. Can you hear me? - which is Ettore's constant question, was tremendous, possibly the best thriller I'll read all year and as I said before, unputdownable. More please! — Shiny New Books blog
From the start this novel is heady and you can feel the Italian heat in every sentence. Considering how dark and intense this novel gets it's passionate and you find yourself relishing every chapter. Varvello's writing is like a shadowy mix of King and Du Maurier, it's part compelling noir and elegant coming -of-age story... I was so rooted in the story, Elia's confused emotional state and his father's mental decline was fascinating. Also I must mention the translation of this novel is brilliant, when reading translated fiction is often noticable when a translator loses the flow of the story but this doesn't happen at all in this book... it just feel like Italy.This is going to be my book of the summer and potentially the year. — Sasha James, Bookspume blog
This excellent novel about difference, mental illness, family and not being able to go home again . . . Can you hear me? READ ELENA VARVELLO! — Literary Hub

Can you hear me? is no ordinary psychological thriller - to pigeonhole it into that sub-genre would be to ignore large parts of this atmospheric and intense novel. Alongside the central mystery is a coming of age story and the two themes mesh together seamlessly... I read into the night, I truly couldn't put the book down...
We've seen how Varvello generates suspense; she is also very skillful in making us care about all the characters: from Marta's tender, careworn love and inability to recognise Ettore's illness, to broken but unbowed Anna; from the adolescent bluster of Stefano to the growing confidence of Elia as he takes charge of his life. All are detailed alongside the tragedy of Ettore. Can you hear me? was tremendous, possibly the best thriller I'll read all year and as I said before, unputdownable. More please!

— Shiny New Books
At first glance, Elena Varvello's Can You Hear Me? has all the hallmarks of a commercial thriller... Yet those who venture further into the pages expecting the novel to be nothing more than a page-turner are in for a surprise. For this book offers so much more. Varvello has published two collections of poetry and it shows. Not only is her writing (translated here by Alex Valente) taut, but it is also exquisitely precise. Rather than scatter-gunning the reader with details, she selects one telling enough to convey an entire character or mood. From the way a person watches their reflection in a mirror, or the briefest of exchanges, the author conjures entire scenes, imbuing her pages by turns with menace, nostalgia and wistfulness... Chief among the cast of blinkered individuals is the narrator, Elia's, father, whose redundancy and subsequent breakdown are the catalysts for much of the action. Menacingly erratic and yet pitiable, he towers from the page... At points the writing is breathtakingly deft. The result is an engrossing and troubling book that hangs big questions on the taut wire of a gripping plot. Like her namesake Ferrante, Elena Varvello knows how to keep readers hooked. We shall see more of her work. — Ann Morgan, ayearofreadingtheworld.com
...but overall, it is far more about the unspoken, about all the things that crack open a facade and leave people broken, even though they pretend to be resilient. It is about people hiding the truth even from themselves... With its ability to capture the tormented adolescent soul, it reminded me of Bassani's The Garden of the Finzi-Continis, but this is far less idyllic and nostalgic. The tense, moody atmosphere, conveyed not through purple prose, but through a very restrained, economical style, is more reminiscent of Alberto Moravia. There are also hints of that author's disenchantment with human nature, modern life and that elusive myth of finding happiness. — Finding Time to Write blog
A taut, smart, viciously gripping noir about family and the destructive force of unconditional love. It took my breath away and kept me glued to the page until its heart-breaking end: a phenomenal achievement — Kirsty Wark, author of THE LEGACY OF ELIZABETH PRINGLE
Haunting, surreal, and deeply engaging, Elena Varvello's Can you hear me? is at once suspenseful and elegiac, as beautiful as it is horrifying, as Varvello takes us deep inside the mind and heart of 16-year-old Elia Furenti during his summer of change. Readers will devour this novel in one sitting as I did, then chew over it long after the book is done — Karen Dionne, author of THE MARSH KING'S DAUGHTER
Elena Varvello's thrilling novel Can You Hear Me? holds a magnifying glass to a family spiralling into darkness while simultaneously casting a net that ensnares the poignancy of the end of adolescence. We are swept away by the vivid characters as their dark and broken places are deftly revealed. Varvello's command of her story, and yet delicate delivery, makes for stunning writing. A smart, dark, page-turner that lingers long after the last page. — Kate Mayfield, author of THE UNDERTAKER'S DAUGHTER
The bleakness and menace of this 'Hitchcockian' novel owe much to its brevity and the starkness of its prose. A raw and heartrending portrayal of masculinity and loneliness, the burden and complexity of family ties and the perils of crossing boundaries in a small community. — Isabel Costello, The Literary Sofa - Summer Reads 2017
Can you hear me? shines a light on one family's black heart, a place where opposites coexist: tenderness and fear; happiness and pain; unfaltering faith and ugly suspicions. A book to get lost in — Paolo Giordano, internationally bestselling author of THE SOLITUDE OF PRIME NUMBERS
Reading Can you hear me? is like being swept away by a powerful current. The best Italian novel of the year. — Fabio Geda, internationally bestselling author of IN THE SEA THERE ARE CROCODILES
One of the best Italian novels of 2016. A book that doesn't shy away from pain - it shines a light on it. And it does so beautifully, page by page. — Alessandro Baricco, internationally bestselling author of SILK
Halfway between noir and coming-of-age, Can you hear me? is an utterly original new type of novel. I read it in two sittings, and I'm sure it will stay with me for a long time. — Maria Lomunno, Foyles Bookseller
A noir that reminded me of great Italian literature: the atmosphere I found in Niccolò Ammaniti's I'm not scared, mixed with the images that someone like Bassani can create with such accuracy... I can't even tell you how excited I am to finally talk about it with customers and colleagues — Dafne Martino, Waterstones bookseller

Elena Varvello has created a world of suspense à la Hitchcock: a 16-year-old boy tells his story and that of his tragic family... The ravine and the forest of the Piedmontese hills described in Can you hear me? are threatened by evil which colours every page of this novel and reaches the reader via a shattering, dry dialogue. The rapidly industrialised landscape in a provincial corner of northern Italy, containing woods, waterfalls but also discarded tins and other rubbish, speaks of the tragedy: all is normal in the microcosm of Can you hear me?, even intense unhappiness has been accepted as normality.
Elena Varvello is a skilled and able narrator; her strong prose belongs to a new vein that has sprung out of modern Italy: women writers revel in an imagination that used to belong to the male world but with an added dose of poetry that is altogether feminine.

— Gaia Servadio
A dark and painful novel, constructed with great wisdom and written with rare restraint. — Nicola Lagioia, author of FEROCITY, winner of the Strega Prize 2015
Varvello has written both a noir and a coming-of-age novel that is in some ways reminiscent of Niccolò Ammaniti's I'm Not Scared... Varvello reveals the widening cracks slowly, perceptively, as one family scene unfurls from another, telling the story through omissions that become enigmas. — Il Messaggero
Can you hear me? is one of the most beautiful, intense and original books I have encountered in my life... A beautifully written book, that brings to mind Cormac McCarthy. — Huffington Post Italy
It brought back to mind Elsa Morante's Arturo's Island, and those classics with the ability to capture the abyss of adolescence, authors like Moravia and Bassani. This novel will grab you instantly and force you to read with a growing sense of panic, something tight in your throat: like a noir of ordinary life, bloodless and thus even more ruthless — La Stampa
A coming-of-age story of friendship and passion that keeps the reader glued to the page — Repubblica
Magnificent — Il manifesto
With her ability to capture the fragmented rhythm of life, the clockwork eruption of a drama foretold, Elena Varvello hooks the reader — Corriere della Sera
Pain is treated here, not as an emotion to fear, but to be observed under the stunning microscope of Elena's prose. — Australian Women's Weekly (NZ edition)
Can You Hear Me? is a perfect coming-of-age novel, with a dark core that will make you read until the very last page ... Elena Varvello has poured her heart and soul into this beautiful, haunting piece of fiction. — Cesca Lizzie Reads
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