Elena Varvello - Can you hear me? - Hodder & Stoughton

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    • ISBN:9781473654891
    • Publication date:31 May 2018
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    • ISBN:9781473665644
    • Publication date:13 Jul 2017

Can you hear me?

A viciously gripping holiday read set during a scorching Italian summer

By Elena Varvello

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A riveting coming-of-age story and Times bestseller set during a scorching Italian summer, told with the breathless precision of a Hitchcock noir.

'Utterly gripped me from beginning to end' Victoria Hislop | 'Move over Ferrante, there's a new Elena in town' Independent | 'There is much beauty and sadness in this slim novel' The Times | 'A novel of crime and darkness that eschews straightforward domestic noir' Guardian
**The Times bestseller Longlisted for the CWA International Dagger**

In the August of 1978, the summer I met Anna Trabuio, my father took a girl into the woods...
I was sixteen.
He had been gone a long time already, but that was it - not even a year after he lost his job and that boy disappeared - that was when everything broke.

1978.
Ponte, a small community in Northern Italy. An unbearably hot summer like many others.
Elia Furenti is sixteen, living an unremarkable life of moderate unhappiness, until the day the beautiful, damaged Anna returns to Ponte and firmly propels Elia to the edge of adulthood.
But then everything starts to unravel.
Elia's father, Ettore, is let go from his job and loses himself in the darkest corners of his mind.
A young boy is murdered.
And a girl climbs into a van and vanishes in the deep, dark woods...

Translated by Alex Valente | Winner of an English PEN Award
Longlisted for the CWA International Dagger Award 2018

Biographical Notes

ELENA VARVELLO was born in Turin, Italy, in 1971. She has published two collections of poetry, Perseveranza è salutare and Atlanti, a collection of short stories, L'economia delle cose (nominated for the Premio Strega, the Italian equivalent of the Man Booker Prize), and two novels, La luce perfetta del giorno and La vita felice, now translated into English as Can you hear me? (English PEN Award 2017).
She teaches creative writing at the Scuola Holden in Turin.
elenavarvello.com

ALEX VALENTE is a European half-Yorkshire, half-Tuscan freelance translator.
He has researched comics, poetry, and their translation, co-edits The Norwich Radical, regularly translates for Italian literary agencies, and does voluntary work for non-profit organisations.
He's on Twitter as @DrFumetts.

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  • ISBN: 9781473654907
  • Publication date: 13 Jul 2017
  • Page count:
  • Imprint: Two Roads
Can You Hear Me? poignantly touches on problems of friendships, families and coming of age in a small community in northern Italy. There is much beauty and sadness in this slim novel. — Marcel Berlins, The Times
'I love books I can read all in one sitting (maybe with a break to make tea) and can you hear me? by Elena Varvello was one of these. A thriller, a mystery, a coming-of-age story that utterly gripped me from beginning to end - and the translation from the original Italian never for a second gets in the way' — Victoria Hislop, Good Housekeeping
Move over Ferrante, there's a new Elena in town... Can You Hear Me? is the first of Elena Varvello's novels to be translated into English - elegantly so by Alex Valente, no easy task since the story episodically flits between two narrative strands, and splices memories of the recent past in with sections set in the present. It's as if, as one character puts it, "time has all bunched up like a bedsheet"... Varvello maintains a sense of tension and dread throughout, all cleverly focused on Elia's slow comprehension of the situation he finds himself in. The novel is something akin to noir, but the emphasis in on the psychological... It made me think of the opening of Ian McEwan's The Cement Garden... Like all the best coming-of-age stories, at its heart Can You Hear Me? is about understanding the limits of one's own knowledge. — Lucy Scholes, Independent
The novel is carried by both the brilliance of its setting and by a scattering of emotional truths... Here, Varvello's spare poetry reveals itself in masterly atmosphere and sense of place... It is refreshing to read a novel of crime and darkness that eschews straightforward domestic noir, and Varvello was brave to write about the trauma that haunts her. — Guardian

Varvello is emerging as one of the strongest young voices in the Italian literary world. Can You Hear Me? is a sparse, stark tale, at once a murder mystery and a coming-of-age story.

Can You Hear Me? is a bleak and vivid book, about the way that life can throw up events that are forever impossible to come to terms with, so that subsequent life is a joyless affair.

— Caroline Moorehead, TLS
Haunting... Set in a small Italian town in the late 1970s, Can You Hear Me? reads like a collaboration between Daphne du Maurier and Megan Abbott, a superb psychological study marinated in a teenage boy's simmering hormones. A poet and award-winning short-story writer in her native Italy, Varvello writes tautly lyrical prose (beautifully translated by Alex Valente), delivering an absorbing tale that draws the reader into a nightmarish fever dream of isolation and paranoia given a chilling sense of inevitability by Varvello's matter-of-fact tone and Elia's deadpan narration. — Declan Burke, Irish Times
A claustrophobic read... Marrying the unsettling feelings of a coming-of-age tale with a panic-inducing abduction story, Varvello explores the psychological impacts of fear, love and mental illness in pared-back prose. — Eithne Farry, Daily Express
A spare, underplayed and suspenseful story about a terrible crime eating away at a family. — Alastair Mabbott, Sunday Herald
A beautiful, stark, poignant account of fear, love and loss — Emma Flint, author of LITTLE DEATHS
I loved Varvello's pared-back writing style, and how she manages to say so much in so few words. An intense read, wonderfully anxiety-inducing, where everything is bubbling uneasily just below the surface. — Claire Fuller, author of OUR ENDLESS NUMBERED DAYS
Elena Varvello's Can you hear me? is riveting and luminous. It's a gorgeous heart-rending novel that you want to finish in one sitting - and few readers will be able to resist the exquisite gravity of such temptation - but it's also a novel that you long to savour, to make last, to draw out because there won't be another one this rich, this compelling, this extraordinarily satisfying for a long, long time. — Bret Anthony Johnston, internationally bestselling author of REMEMBER ME LIKE THIS and Sunday Times EFG Short Story Award winner 2017
So extraordinary that I'm almost speechless... It's such a mesmerising novel, at times a very chilling one, and it has both broken my heart and mended it at the same time. The writing is so tense, the atmosphere so heavy and the book's structure is so clever, and technically astounding. What a feat! And what I applaud so very much is its honest ending, its sense of completion(at least for the reader), and its universal message of hope. I feel so moved by this novel and in ways that I know will take me some time yet to uncover. — Matt Bates, WHSmith Travel Fiction Buyer
Few writers have gripped me, left me breathless and sweaty palmed, quite like Varvello. Expanding the possibilities of the thriller, Can You Hear Me? probes that period of unease, common to growing up, when we realise that our parents are fallible. It's a novel of teenage awakening, of pauses and silences, pregnant with secrets. This book has given me sleepless nights, broken my heart and worked its way deep into my psyche. I am thrilled to finally have the opportunity to place such an extraordinary book in readers' hands. — Gary Perry, Foyles Staff Pick
Can You Hear Me? is not a faint-hearted book. Elena Varvello plays with some big themes here; fear, love and loss are prominent and sketched in heart aching relief. The story is a tense exploration of the mysteries of the human heart, the weight of paranoia and the often destructive nature of love and blind devotion... Varvello's writing is so redolent and vivid that the reader can almost feel the sweltering heat of summer in Italy, the intense desire between Elia and Anna and the individual anguish and grief of all characters here. This is not a light-hearted summer read but rather an intensely brilliant noir, tightly paced but with the wistful quality of a midsummer daydream. The characters are vibrant, relatable and powerfully realised and the story moves at breath taking pace. This is a beautiful coming of age story, a meditation on the nature of adulthood and a sizzling reminder of the turmoil of adolescence. Varvello has expertly captured the exquisite torture of first time lust and the agony of betrayal. The intensely personal nature of the story becomes clear when Varvello discloses that she wrote the book as a way of exorcising her own difficult relationship with her father, himself a sufferer of mental illness, in an act of letting go of her own past. This adds another level of poignant tenderness to this already heart wrenching tale and it adds another layer of humanity to Varvello's writing... Alex Valente has adoringly translated Varvello's work and the partnership between them is a wonderful example of how loving translation can bring powerful writing to readers across the world. If you like your fiction dark and deep, your characters strikingly real and are prepared to have your heart lovingly shattered then this is the book for you. — Bookbag
I can't remember reading a thriller that is as eerily intense as Elena Varvello's Can You Hear Me?... While this novel is obviously far removed from my own circumstances, the style and subject of Varvello's story invoked a deep sense of nostalgia in me. Elia is a somewhat awkward young man who makes a loose friendship with a boy named Stefano. Their friendship develops organically. They don't necessarily have a huge amount of shared interests but are pulled together more because of circumstances when there is no one else to spend time with. A lot of childhood friendships seem to be formed in this way and the only other book I can recall that got this so well is Tim Winton's novel Breath. During their summer together they spend time swimming at a remote water hole. I have strong memories of doing something similar and the representation of this uneven friendship felt very real... While Elia tries to deal with these normal issues surrounding any young man's development, he also grows increasingly wary of his father who believes that he's been cheated out of a job and becomes increasingly absent from the home. Marta seems to bury her head in the sand about her husband Ettore's behaviour and withdraw into herself. So this boy is mostly left to struggle with all of this on his own. Because of this, the story develops an increasing level of emotional poignancy as it goes on at the same time as it grows more unsettlingly tense. Varvello's captivating writing style drew me in and had me gripped in that way that made me really resent having to stop reading it at the end of my commutes or lunch breaks. It's a powerful book that reminds me of some of Joyce Carol Oates' novels in the way that Varvello so effectively builds suspense amidst a plot involving friendship and embittered economical hardships. And (coming from me) you know that means I think very highly of it! — Lonesome Reader
Can you hear me? is no ordinary psychological thriller - to pigeonhole it into that sub-genre would be to ignore large parts of this atmospheric and intense novel. Alongside the central mystery is a coming of age story and the two themes mesh together seamlessly... We've seen how Varvello generates suspense; she is also very skilful in making us care about all the characters: from Marta's tender, careworn love and inability to recognise Ettore's illness, to broken but unbowed Anna; from the adolescent bluster of Stefano to the growing confidence of Elia as he takes charge of his life. All are detailed alongside the tragedy of Ettore. Can you hear me? - which is Ettore's constant question, was tremendous, possibly the best thriller I'll read all year and as I said before, unputdownable. More please! — Shiny New Books blog
From the start this novel is heady and you can feel the Italian heat in every sentence. Considering how dark and intense this novel gets it's passionate and you find yourself relishing every chapter. Varvello's writing is like a shadowy mix of King and Du Maurier, it's part compelling noir and elegant coming -of-age story... I was so rooted in the story, Elia's confused emotional state and his father's mental decline was fascinating. Also I must mention the translation of this novel is brilliant, when reading translated fiction is often noticable when a translator loses the flow of the story but this doesn't happen at all in this book... it just feel like Italy.This is going to be my book of the summer and potentially the year. — Sasha James, Bookspume blog
This excellent novel about difference, mental illness, family and not being able to go home again . . . Can you hear me? READ ELENA VARVELLO! — Literary Hub

Can you hear me? is no ordinary psychological thriller - to pigeonhole it into that sub-genre would be to ignore large parts of this atmospheric and intense novel. Alongside the central mystery is a coming of age story and the two themes mesh together seamlessly... I read into the night, I truly couldn't put the book down...
We've seen how Varvello generates suspense; she is also very skillful in making us care about all the characters: from Marta's tender, careworn love and inability to recognise Ettore's illness, to broken but unbowed Anna; from the adolescent bluster of Stefano to the growing confidence of Elia as he takes charge of his life. All are detailed alongside the tragedy of Ettore. Can you hear me? was tremendous, possibly the best thriller I'll read all year and as I said before, unputdownable. More please!

— Shiny New Books
At first glance, Elena Varvello's Can You Hear Me? has all the hallmarks of a commercial thriller... Yet those who venture further into the pages expecting the novel to be nothing more than a page-turner are in for a surprise. For this book offers so much more. Varvello has published two collections of poetry and it shows. Not only is her writing (translated here by Alex Valente) taut, but it is also exquisitely precise. Rather than scatter-gunning the reader with details, she selects one telling enough to convey an entire character or mood. From the way a person watches their reflection in a mirror, or the briefest of exchanges, the author conjures entire scenes, imbuing her pages by turns with menace, nostalgia and wistfulness... Chief among the cast of blinkered individuals is the narrator, Elia's, father, whose redundancy and subsequent breakdown are the catalysts for much of the action. Menacingly erratic and yet pitiable, he towers from the page... At points the writing is breathtakingly deft. The result is an engrossing and troubling book that hangs big questions on the taut wire of a gripping plot. Like her namesake Ferrante, Elena Varvello knows how to keep readers hooked. We shall see more of her work. — Ann Morgan, ayearofreadingtheworld.com
...but overall, it is far more about the unspoken, about all the things that crack open a facade and leave people broken, even though they pretend to be resilient. It is about people hiding the truth even from themselves... With its ability to capture the tormented adolescent soul, it reminded me of Bassani's The Garden of the Finzi-Continis, but this is far less idyllic and nostalgic. The tense, moody atmosphere, conveyed not through purple prose, but through a very restrained, economical style, is more reminiscent of Alberto Moravia. There are also hints of that author's disenchantment with human nature, modern life and that elusive myth of finding happiness. — Finding Time to Write blog
A taut, smart, viciously gripping noir about family and the destructive force of unconditional love. It took my breath away and kept me glued to the page until its heart-breaking end: a phenomenal achievement — Kirsty Wark, author of THE LEGACY OF ELIZABETH PRINGLE
Haunting, surreal, and deeply engaging, Elena Varvello's Can you hear me? is at once suspenseful and elegiac, as beautiful as it is horrifying, as Varvello takes us deep inside the mind and heart of 16-year-old Elia Furenti during his summer of change. Readers will devour this novel in one sitting as I did, then chew over it long after the book is done — Karen Dionne, author of THE MARSH KING'S DAUGHTER
Elena Varvello's thrilling novel Can You Hear Me? holds a magnifying glass to a family spiralling into darkness while simultaneously casting a net that ensnares the poignancy of the end of adolescence. We are swept away by the vivid characters as their dark and broken places are deftly revealed. Varvello's command of her story, and yet delicate delivery, makes for stunning writing. A smart, dark, page-turner that lingers long after the last page. — Kate Mayfield, author of THE UNDERTAKER'S DAUGHTER
The bleakness and menace of this 'Hitchcockian' novel owe much to its brevity and the starkness of its prose. A raw and heartrending portrayal of masculinity and loneliness, the burden and complexity of family ties and the perils of crossing boundaries in a small community. — Isabel Costello, The Literary Sofa - Summer Reads 2017
Can you hear me? shines a light on one family's black heart, a place where opposites coexist: tenderness and fear; happiness and pain; unfaltering faith and ugly suspicions. A book to get lost in — Paolo Giordano, internationally bestselling author of THE SOLITUDE OF PRIME NUMBERS
Reading Can you hear me? is like being swept away by a powerful current. The best Italian novel of the year. — Fabio Geda, internationally bestselling author of IN THE SEA THERE ARE CROCODILES
One of the best Italian novels of 2016. A book that doesn't shy away from pain - it shines a light on it. And it does so beautifully, page by page. — Alessandro Baricco, internationally bestselling author of SILK
Halfway between noir and coming-of-age, Can you hear me? is an utterly original new type of novel. I read it in two sittings, and I'm sure it will stay with me for a long time. — Maria Lomunno, Foyles Bookseller
A noir that reminded me of great Italian literature: the atmosphere I found in Niccolò Ammaniti's I'm not scared, mixed with the images that someone like Bassani can create with such accuracy... I can't even tell you how excited I am to finally talk about it with customers and colleagues — Dafne Martino, Waterstones bookseller

Elena Varvello has created a world of suspense à la Hitchcock: a 16-year-old boy tells his story and that of his tragic family... The ravine and the forest of the Piedmontese hills described in Can you hear me? are threatened by evil which colours every page of this novel and reaches the reader via a shattering, dry dialogue. The rapidly industrialised landscape in a provincial corner of northern Italy, containing woods, waterfalls but also discarded tins and other rubbish, speaks of the tragedy: all is normal in the microcosm of Can you hear me?, even intense unhappiness has been accepted as normality.
Elena Varvello is a skilled and able narrator; her strong prose belongs to a new vein that has sprung out of modern Italy: women writers revel in an imagination that used to belong to the male world but with an added dose of poetry that is altogether feminine.

— Gaia Servadio
A dark and painful novel, constructed with great wisdom and written with rare restraint. — Nicola Lagioia, author of FEROCITY, winner of the Strega Prize 2015
Varvello has written both a noir and a coming-of-age novel that is in some ways reminiscent of Niccolò Ammaniti's I'm Not Scared... Varvello reveals the widening cracks slowly, perceptively, as one family scene unfurls from another, telling the story through omissions that become enigmas. — Il Messaggero
Can you hear me? is one of the most beautiful, intense and original books I have encountered in my life... A beautifully written book, that brings to mind Cormac McCarthy. — Huffington Post Italy
It brought back to mind Elsa Morante's Arturo's Island, and those classics with the ability to capture the abyss of adolescence, authors like Moravia and Bassani. This novel will grab you instantly and force you to read with a growing sense of panic, something tight in your throat: like a noir of ordinary life, bloodless and thus even more ruthless — La Stampa
A coming-of-age story of friendship and passion that keeps the reader glued to the page — Repubblica
Magnificent — Il manifesto
With her ability to capture the fragmented rhythm of life, the clockwork eruption of a drama foretold, Elena Varvello hooks the reader — Corriere della Sera
Pain is treated here, not as an emotion to fear, but to be observed under the stunning microscope of Elena's prose. — Australian Women's Weekly (NZ edition)
Can You Hear Me? is a perfect coming-of-age novel, with a dark core that will make you read until the very last page ... Elena Varvello has poured her heart and soul into this beautiful, haunting piece of fiction. — Cesca Lizzie Reads

Alan Titchmarsh

Alan Titchmarsh is known to millions through the popular BBC TV programmes British Isles: A Natural History, How to be a Gardener, Ground Force and Gardeners' World. But he started out in far humbler beginnings, in a rural childhood on the edge of Ilkley Moor in Yorkshire.After a spell at Kew he became a horticultural journalist, as an Editor of gardening magazines, before becoming a freelance broadcaster and writer.He has twice been named 'Gardening Writer of the Year' and for four successive years was voted 'Television Personality of the Year' by the Garden Writers' Guild. In 2004 he received their Lifetime Achievement Award.Alan has appeared on radio and television both as a gardening expert and as an interviewer and presenter, fronting such programmes as Points of View, Pebble Mill, Songs of Praise, Titchmarsh's Travels and Ask the Family, and since 1983 has presented the BBC's annual coverage of The Chelsea Flower Show. He now has his own daytime TV show on ITV, The Alan Titchmarsh Show. Alan has written more than forty gardening books, as well as seven best-selling novels, including his 2008 success, Folly, which have all made the Sunday Times Bestsellers List. Alan has published three volumes of memoirs; Trowel and Error sold over 200,000 copies in hardback when published in 2002, and Nobbut A Lad, about his Yorkshire childhood, was published in October 2006 with similar success, and his third volume of memoir Knave of Spadeswas a Sunday Times bestseller.He was made MBE in the millennium New Year Honours list and holds the Victoria Medal of Honour, the Royal Horticultural Society's highest award. He lives with his wife and a menagerie of animals in Hampshire where he gardens organically.

Ali Knight

Ali Knight has worked as a journalist and sub-editor at the BBC, Guardian and Observer and helped to launch some of the Daily Mail and Evening Standard's most successful websites. She lives with her family in London.Visit Ali's website to find out more about her and her psychological thrillers at www.aliknight.co.uk and follow her on Twitter www.twitter.com/aliknightauthor.

Aline Templeton

Aline Templeton lives in Edinburgh with her husband, in a house with a balcony built by an astronomer to observe the stars over the beautiful city skyline. She has worked in education and broadcasting and has written numerous articles and stories for newspapers and magazines. Her books have been published in translation in several European countries as well as in the United States.

Aly Monroe

Aly Monroe was born and educated in England. Trained in linguistics, she has lived abroad - mostly in Spain - and speaks several languages. She is married and has three children. The first three books in the Peter Cotton series, Maze of Cadiz and Washington Shadow and Icelight (winner of the 2012 Ellis Peters Historical Fiction Award) are also available from Hodder & Stoughton. You can find out more about Peter Cotton and Aly Monroe via her website, www.alymonroe.com or at www.hodder.co.uk, through her official facebook page at http://www.facebook.com/Monroe.Aly, and you can follow her on Twitter at www.twitter.com/monroe_aly.

Alys Clare

Alys Clare is a history enthusiast who has written many novels under a different name. Alys Clare lives in Kent, where the Hawkenlye mysteries are set. You can reach her on her website www.alysclare.com

Audrey Howard

Audrey Howard was born in Liverpool in 1929. Before she began to write she had a variety of jobs, among them hairdresser, model, shop assistant, cleaner and civil servant. In 1981, while living in Australia, she wrote the first of her bestselling novels. Here fourth novel, The Juniper Bush, won the Romantic Novel of the Year Award in 1988.She lives in St Anne's on Sea, her childhood home.

Bernard Minier

Bernard Minier grew up in south-west France and spent a happy childhood in the foothills of the Pyrenees before going to university in Toulouse, the town where Servaz is a policeman. He currently lives near Paris. He has received several awards for his short stories. All three novels in the Servaz series, THE FROZEN DEAD, A SONG FOR DROWNED SOULS and DON'T TURN OUT THE LIGHTS, have been bestsellers in France, and his writing has been translated into German, Italian, Polish, Spanish, Russian and Hungarian as well as English. He has twice won the prestigious Prix Polar at the Cognac Crime Festival.

Catriona McPherson

Catriona McPherson was born in the village of Queensferry in south-east Scotland in 1965 and educated at Edinburgh University. She left with a PhD in Linguistics and spent a few years as a university lecturer before beginning to write fiction. The first Dandy Gilver novel was short-listed for the CWA Ellis Peters Historical Dagger 2005 and the second was long-listed for the Theakston's Crime Novel of the Year Award 2007. In 2012 DANDY GILVER AND THE PROPER TREATMENT OF BLOODSTAINS was nominated for a Historical Macavity Award. Catriona writes full-time and divides her time between southern Scotland and northern California.www.dandygilver.comwww.catrionamcpherson.comwww.twitter.com/CatrionaMcP

Cecilia Ekbäck

Cecilia Ekbäck was born in the north of Sweden; her parents come from Lapland. During her teens, she worked as a journalist and after university specialised in marketing. Over twenty years her work for a multinational took her to Russia, Germany, France, Portugal, the Middle East and the UK. She speaks Swedish, English, French and Russian fluently and has some Spanish, Portuguese and German. In 2010, she finished a Masters in Creative Writing at Royal Holloway. She now lives in Calgary with her husband and twin daughters, 'returning home' to the landscape and the characters of her childhood in her writing. Wolf Winter is her first novel and she is at work on her second.

Daniel Polansky

Daniel Polansky was born in Baltimore, Maryland. He can be found in Brooklyn, when he isn't somewhere else. His debut novel, THE STRAIGHT RAZOR CURE, received great acclaim. TOMORROW, THE KILLING is the second novel in his 'Low Town' series, with the third publishing in 2013.

David Swinson

David Swinson is a retired police detective, having served 16 years with the Washington DC Metropolitan Police Department. Before joining the DC police Swinson was a record store owner in Seal Beach, California, a punk rock/alternative concert promoter in Long Beach, California, and a music video producer and independent filmmaker in Los Angeles, California. Swinson currently lives in Northern Virginia with his wife, daughter, bull mastiff, and bearded dragon.

David Wishart

David Wishart studied Classics at Edinburgh University. He then taught Latin and Greek in school for four years and after this retrained as a teacher of EFL. He lived and worked abroad for eleven years, working in Kuwait, Greece and Saudi Arabia, and now lives with his wife and family in Scotland.

Deon Meyer

Deon Meyer lives near Cape Town in South Africa. His big passions are motorcycling, music, reading, cooking and rugby. In January 2008 he retired from his day job as a consultant on brand strategy for BMW Motorrad, and is now a full time author. Deon Meyer's books have attracted worldwide critical acclaim and a growing international fanbase. Originally written in Afrikaans, they have now been translated into twenty-eight languages.THIRTEEN HOURS was shortlisted for the CWA International Dagger and won the Boeke Prize in South Africa - the first time in the prize's 16 year history that a South African book has won. His novels have also won literary prizes in France, Sweden, Germany and the Netherlands, and the film rights to seven of his novels have been optioned or sold.Deon has also written two television series, and several screenplays for movies. In 2013 he directed one of his original scripts for the feature film The Last Tango.Visit the author's website at www.deonmeyer.com and follow him on Twitter @MeyerDeon

Dorothy L Sayers

Dorothy L Sayers was born in Oxford in 1893, and was both a classical scholar and a graduate in modern languages. As well as her popular Lord Peter Wimsey series, she wrote several religious plays, but considered her translations of Dante's Divina Commedia to be her best work. She died in 1957.www.sayers.org.uk

Elin Hilderbrand

Elin Hilderbrand grew up in Pennsylvania and is a graduate of the University of Iowa's Writers' Workshop, where she was a teaching/writing fellow. She now lives with her husband and their three children on Nantucket, Massachusetts, where her novels are set.You can follow Elin on Twitter @elinhilderbrand or find out more on her Facebook page www.facebook.com/ElinHilderbrand.

Fredrik Backman

Fredrik Backman is a Swedish blogger, columnist and author. His debut novel A MAN CALLED OVE was a number 1 bestseller across Scandinavia, has sold over one million copies worldwide, was a Richard & Judy summer read in the UK and an instant New York Times paperback bestseller, and has been made into an acclaimed film. Fredrik's subsequent novels, MY GRANDMOTHER SENDS HER REGARDS AND APOLOGISES and BRITT-MARIE WAS HERE, also went straight to number 1 in Sweden on publication.

Gerald Seymour

Gerald Seymour exploded onto the literary scene in 1975 with the massive bestseller HARRY'S GAME. The first major thriller to tackle the modern troubles in Northern Ireland, it was described by Frederick Forsyth as 'like nothing else I have ever read' and it changed the landscape of the British thriller forever.Gerald Seymour was a reporter at ITN for fifteen years. He covered events in Vietnam, Borneo, Aden, the Munich Olympics, Israel and Northern Ireland. He has been a full-time writer since 1978.

Graham Norton

Graham Norton is one of the UK's best loved broadcasters. He presents The Graham Norton Show on BBC1, has a weekly show on BBC Radio 2, and writes a column for the Telegraph. He is the winner of nine BAFTA awards. Born in Dublin and raised in West Cork, Norton now lives in London. His debut novel Holding was a commercial and critical success, winning Norton the Irish Independent Popular Fiction award at the Bord Gáis Irish Book Awards in 2016.

Gyles Brandreth

Gyles Brandreth is a writer, performer, former MP and government whip whose career has ranged from hosting Have I Got News For You to starring in his own award-winning musical revue in London's West End. Currently a reporter with The One Show on BBC1 and a regular on Radio 4's Just a Minute, his acclaimed Victorian detective stories - THE OSCAR WILDE MURDER MYSTERIES - are now being published in nineteen countries around the world and are currently in development for TV. All six books in the series, OSCAR WILDE AND THE CANDLELIGHT MURDERS, OSCAR WILDE AND THE RING OF DEATH, OSCAR WILDE AND THE DEAD MAN'S SMILE, OSCAR WILDE AND THE NEST OF VIPERS, OSCAR WILDE AND THE VATICAN MURDERS and OSCAR WILDE AND THE MURDERS AT READING GAOL are available from John Murray. You can find out more about the Oscar Wilde Murder Mysteries at www.oscarwildemurdermysteries.com and about Gyles Brandreth at www.gylesbrandreth.net

Irene Carr

Irene Carr was born and brought up on the river in Monkwearmouth, Sunderland, in the 1930s. As her father and brother worked in the local shipyards and her mother was a barmaid at the beginning of the century she was well acquainted with the setting and times of the world she recreated in her sagas. Irene Carr died in 2006.