The Kill Room
Lincoln Rhyme Book 10
By Jeffery Deaver
But first, they must enter The Kill Room. Edge-of-your seat suspense from the ultimate thriller writer. The tenth instalment of the bestselling Lincoln Rhyme series.
Lincoln Rhyme and Amelia Sachs will do anything to uncover the truth, so they must enter The Kill Room.
'THE KILL ROOM is full of his trademark twists, breathless suspense and ironic humour. It is a thriller of 'bits, scraps, observations (and) 180 degree changes in direction' which never cheats the reader, so that the only response can be sighs of satisfaction and admiration.' - The Evening Standard
A sniper shot from a near-impossible distance. Evidence that the order came from the highest levels of US government. A New York DA who won't let it go.
Lincoln Rhyme and Amelia Sachs will risk everything to uncover the truth. But there is no crime scene investigation, no evidence, and no co-operation from the local Bahamian police.
No strangers to controversy, their reputation for seeing what others miss is unparalleled, and ambitious attorney Nance Laurel knows they will risk everything - even their lives - to seek the truth . . .
But first, they must enter The Kill Room.
Jeffery Deaver is the award-winning author of three collections of short stories and 32 internationally bestselling novels, including the 2011 James Bond novel Carte Blanche. He is best known for his Lincoln Rhyme thrillers, which include the number one bestsellers The Vanished Man, The Twelfth Card and The Cold Moon, as well as The Bone Collector which was made into a feature film starring Denzel Washington and Angelina Jolie. The first Kathryn Dance novel, The Sleeping Doll, was published in 2007 to enormous acclaim. A three-time recipient of the Ellery Queen Reader's Award for Best Short Story of the year, he has been nominated for an Anthony Award and six Edgar Awards from the Mystery Writers of America. He won the WHSmith Thumping Good Read Award in 2001 and in 2004 won the Crime Writers' Association Steel Dagger for Best Thriller with Garden of Beasts, and their Short Story Dagger for The Weekender from Twisted. Jeffery Deaver lives in North Carolina and California. Visit his website, www.jefferydeaver.com, Facebook page, www.facebook.com/JefferyDeaver, and follow him on Twitter at twitter.com/JefferyDeaver.
- Other details
- Publication date:
30 Jan 2014
- Page count:
This is Deaver at his very best and not to be missed by any thriller fan. — Publishers Weekly
There's no danger of this 10th Lincoln Rhyme outing collecting anything but enthusiastic praise . . . This is Deaver back on his most comfortable territory and the battle with a ruthless killer is delivered with the accumulating menace that has long been Deaver's trademark. Rhyme and Amelisa remain one of the most distinctive duos in crime fiction and Deaver is somehow able to come up with something fresh and unusual for them, even though familiar elements are utilised. What the author is particularly good at is the tense set-piece, as in the police siege at the end of THE KILL ROOM, delivered with panache. As ever he plays fair with the reader. We're given all the relevant information but are nevertheless still jolted by the successive revelations. — Daily Express
If you want the best crime, try Jeff Deaver — Claudia Winkleman, BBC Radio 2 Arts Show
Deaver might well be expected to rest on his laurels at this point in his career, but his 30th novel is refreshingly ambitious, as his labyrinthine twists lead the reader ever further into a fog of ambiguity about misdirected patriotism, drone warfare, whistle-blowing and free speech — The Irish Times
An exciting and thoughtful examination of how far government can go . . . Deaver doesn't disappoint. Against a grave and complex legal backstory, he unwinds an elaborate narrative with believable, intriguing characters and fascinating CSI-like investigative aplomb . . . compelling and provocative — Shelf Awareness
Without doubt my favourite US crime writer — Alex Heminsley, BBC Radio 2 Arts Show
THE KILL ROOM is full of his trademark twists, breathless suspense and ironic humour. It is a thriller of 'bits, scraps, observations (and) 180 degree changes in direction' which never cheats the reader, so that the only response can be sighs of satisfaction and admiration. — Evening Standard
It's a typically fast-paced ride — Choice